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Woodblock News
Introduction | Index All the print news that fits!

'Human Drama' : Part Two (of five)


'Human Drama' - A Canadian woodblock printmaker's 10 year journey ... Part Two

(Aired on TV Tokyo in February 1999) ... a one hour made-for-TV documentary program. Although I feel that the producer focussed rather too much on the melodramatic aspects of our family life during that ten year period, the program does indeed give a pretty good overview of what the project was like ...

Part 1 : 6 1/2 minutes
Part 2 : 12 minutes
Part 3 : 7 minutes
Part 4 : 9 minutes
Part 5 : 9 1/2 minutes

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

'Youngest' Ukiyo-e Craftsman

Ukiyoe, the Japanese art form most familiar to foreigners, was not always highly appreciated. In its earlier days during the Edo period, ukiyoe prints were used to wrap fish, similar to how people use newspaper comics to wrap garbage. Though its reputation gradually improved, mainly due to its popularity with Westerners, it may be to no avail. Ukiyoe and the traditional woodblock printmaking craft is dying in Japan. With less than 40 members in the crafts guild, all of them over 60 years old, and no apprentices, this art form is close to extinction. (1992)
Full Story.

Carving a Career From an Ancient Japanese Craft

David Bull, a 41-year-old Canadian university dropout born in England who used to program computers and play the flute on the street, anticipates one day finding himself revered as a master practicioner of an ancient Japanese craft. But it took him 35 years to hit upon that uncommon ambition. (1993)
Full Story.

Recapturing Edo Images

Squatting in front of a photocopy of an ukiyo-e print in the light from a 50-watt bulb, David Bull puts his carving knife carefully to a block of cherry wood. Under his blade, the image of an elaborately robed Heian minister slowly begins to emerge. "The hardest thing about making woodblock prints is the carving of intricate lines - you have to be able to use your knife like a brush in order to do justice to the fine lines," Bull says. (1989)
Full Story.