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Woodblock Shimbun - Introduction

The media here in Japan have been very good to me over the years. Especially during the time that I was working on the Hyakunin Isshu project, newspapers, magazines, radio and television almost never failed to respond to my requests to help me publicize my exhibitions.

I'm certainly not 'famous' here, and can walk down the street without attracting attention, but during the few days immediately following a television appearance, do find that I get recognized in the train sometimes. Generally though, people are considerate of one's privacy, and unlike the really famous foreigners here (sumo wrestlers, etc.) I live generally undisturbed.

Reading/viewing some of this material is an excellent way to get familiar with my work, so I have scanned/ripped/typed many of the items, and included them here in my 'Woodblock Shimbun'. You will find a 'Table of Contents' over on the Index Page. Please take a look at some of the material; I think you might enjoy it!

Thank you!

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

Traditional Craft, Crisis or ... ?

As a worker in the field of traditional Japanese crafts, one of the most common things I hear from visitors to my workshop is, "Isn't it a pity that wonderful crafts like this are dying out nowadays." We sometimes tend to view traditional crafts as being superior to modern ways of doing things, but I have to wonder about this. I am sure that the craftsmen of old did not view their work in special terms. I think that they were simply people 'doing a job'. (1994)
Full Story.

Enchanting Japan

Colourful woodblock prints - for people all over the world, to hear this phrase is to think of Japan. Japan has a long history of woodblock printing, or hanga, originally for illustrations for books. By the late seventeenth century, hanga in the ukiyo-e style came into its own as an art form, and prints came to be appreciated on their own merits. The many woodblock prints that accurately depict life in the Edo period are excellent examples of this tradition. Whether a print of a geisha, a kabuki actor strutting on stage, or even a completely modern image, the woodblock printing technique seems to provide the perfect means of expression to capture the essence of things Japanese. (1998)
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'Youngest' Ukiyo-e Craftsman

Ukiyoe, the Japanese art form most familiar to foreigners, was not always highly appreciated. In its earlier days during the Edo period, ukiyoe prints were used to wrap fish, similar to how people use newspaper comics to wrap garbage. Though its reputation gradually improved, mainly due to its popularity with Westerners, it may be to no avail. Ukiyoe and the traditional woodblock printmaking craft is dying in Japan. With less than 40 members in the crafts guild, all of them over 60 years old, and no apprentices, this art form is close to extinction. (1992)
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