Woodblock Shimbun - Introduction
The media here in Japan have been very good to me over the years. Especially during the time that I was working on the Hyakunin Isshu project, newspapers, magazines, radio and television almost never failed to respond to my requests to help me publicize my exhibitions.
I'm certainly not 'famous' here, and can walk down the street without attracting attention, but during the few days immediately following a television appearance, do find that I get recognized in the train sometimes. Generally though, people are considerate of one's privacy, and unlike the really famous foreigners here (sumo wrestlers, etc.) I live generally undisturbed.
Reading/viewing some of this material is an excellent way to get familiar with my work, so I have scanned/ripped/typed many of the items, and included them here in my 'Woodblock Shimbun'. You will find a 'Table of Contents' over on the Index Page. Please take a look at some of the material; I think you might enjoy it!
The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...
Carving a Career From an Ancient Japanese Craft
David Bull, a 41-year-old Canadian university
dropout born in England who used to program computers and play the
flute on the street, anticipates one day finding himself revered as a
master practicioner of an ancient Japanese craft. But it took him 35
years to hit upon that uncommon ambition. (1993)
Japanese Art with a Canadian Touch
A British-born artist from Canada is holding an exhibition of his 60 works of ukiyoe woodblock prints, part of his 10-year project to carve and print the Hyakunin Isshu poem collection. (1998)
David Bull: Printmaker
The classic woodblock prints made famous by Hokusai and others depict a stylized, long-lost Japan. A chance encounter with woodblock printing at an exhibition in Toronto more than twenty years ago led David Bull down a path that has made him the only artist, Japanese or foreign, working to reproduce those classical prints. (2000)