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Woodblock Man Carves Niche

Woodblock carver David Bull refuses to be called an 'artist' or 'sensei'.

"I'm just the guy who carves a piece of wood," Bull said. "All I do is copy what the real artists did."

Since 1989, the Canadian university dropout who once played the flute on the streets of London has spent many hours bent over his woodblocks, nose and beard almost touching the surface, as he carved toward a self-appointed goal: the recreation of 18th century ukiyo-e artist Katsukawa Shunsho's 'Hyakunin Isshu: Poems from One Hundred Poets' series.

Hyakunin Isshu is part of Japan's literary canon with some of the nation's best-loved 31-syllable tanka. However, it was the different personalities he saw in each of the 100 figures in Shunsho's drawings and not the poems that drew Bull to his project.

What began as an exercise in printmaking soon grew into determination to reproduce the entire 100 print series at a rate of 10 prints a year. His project ended in the third week of December.

But the 10 years have not been without struggle. "The decision to remain in Japan to do this work (against the wishes of my then wife) pretty much led to the breakup of my marriage," Bull writes on his home page.

Was it worth it? The answer from the Japanese public has been a resounding 'yes'. His 10-year feat has won Bull wide recognition in Japan. He was one of the two foreigners invited to attend the Utakai Hajime, the annual New Year's poetry reading held at the Imperial Palace on Thursday. In the ceremony, tanka written by the Emperor and his family as well as selected poems from the general public are read aloud before a small group of guests.

By December, Bull was selling the print series to just over 100 people every month, at 10,000 each. Since he completed the series, he has found more subscribers for 203 additional sets and 43 subscribers for his next project, a series of 'surimono' - privately published works.

Bull also said the project was worthwhile. During a recent exhibit of the series, he saw a woman around 70 years old begin crying as she looked at the prints. "She said that the prints made her remember playing the 'karuta' game when she was a girl, and that she remembered her mother teaching her each poem," Bull said.

"I'm just making a piece of paper and sending it out, and things like this happen. It's pretty neat." he said.

"I had to stick to a standard printing and carving style during the course of this series. After a while this got frustrating. I can't wait to try different styles of print," Bull said. According to the carver, the series was just training. "There's still a long way to go," he said.

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

World of Japanese Craftsmen: Printmaker David Bull

"Have you ever seen a woodblock print?" asked printmaker David Bull, with a twinkle in his eye. Up until that point, I thought had seen a fair few. He then turned off the light overhead and steered me toward the sunlight streaming through the window, putting one of his latest prints in my hands. Sure enough, what had seemed a lovely design under the harsh fluorescent lighting took on a new depth in the soft glow of the winter sunshine. The colors were richer, the fuzziness and subtle grain of the handmade paper was readily apparent and the impression left by the wood-blocks used to print the design could be seen to full advantage. (2001)
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David Bull, Woodblock Printmaker

When I arrive at David Bull's home in Ome in Tokyo's western suburb on a cold but sunny morning in late March, he is checking a huge delivery of kiri wood boxes from China. But this time he is not quite satisfied ... (2007)
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13 Another Lucky Number

David Bull is as insistent as he is stubborn. No sooner has he sat me down beside his workbench (the only warm room in the house), with younger daughter Fumi (16) creating a Web page on the computer on top of the "kotatsu," than he is demanding how much I know about "hanga" (woodblock prints). "Hanga were never made to be framed and hung on walls," he states. "Premodern Japan had no such tradition. Prints were objects, not images, to be looked at in natural light. The best way for the art of the craftsman to be appreciated is in your hands, at a window." (2002)
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