Woodblock Man Carves Niche
Woodblock carver David Bull refuses to be called an 'artist' or 'sensei'.
"I'm just the guy who carves a piece of wood," Bull said. "All I do is copy what the real artists did."
Since 1989, the Canadian university dropout who once played the flute on the streets of London has spent many hours bent over his woodblocks, nose and beard almost touching the surface, as he carved toward a self-appointed goal: the recreation of 18th century ukiyo-e artist Katsukawa Shunsho's 'Hyakunin Isshu: Poems from One Hundred Poets' series.
Hyakunin Isshu is part of Japan's literary canon with some of the nation's best-loved 31-syllable tanka. However, it was the different personalities he saw in each of the 100 figures in Shunsho's drawings and not the poems that drew Bull to his project.
What began as an exercise in printmaking soon grew into determination to reproduce the entire 100 print series at a rate of 10 prints a year. His project ended in the third week of December.
But the 10 years have not been without struggle. "The decision to remain in Japan to do this work (against the wishes of my then wife) pretty much led to the breakup of my marriage," Bull writes on his home page.
Was it worth it? The answer from the Japanese public has been a resounding 'yes'. His 10-year feat has won Bull wide recognition in Japan. He was one of the two foreigners invited to attend the Utakai Hajime, the annual New Year's poetry reading held at the Imperial Palace on Thursday. In the ceremony, tanka written by the Emperor and his family as well as selected poems from the general public are read aloud before a small group of guests.
By December, Bull was selling the print series to just over 100 people every month, at 10,000 each. Since he completed the series, he has found more subscribers for 203 additional sets and 43 subscribers for his next project, a series of 'surimono' - privately published works.
Bull also said the project was worthwhile. During a recent exhibit of the series, he saw a woman around 70 years old begin crying as she looked at the prints. "She said that the prints made her remember playing the 'karuta' game when she was a girl, and that she remembered her mother teaching her each poem," Bull said.
"I'm just making a piece of paper and sending it out, and things like this happen. It's pretty neat." he said.
"I had to stick to a standard printing and carving style during the course of this series. After a while this got frustrating. I can't wait to try different styles of print," Bull said. According to the carver, the series was just training. "There's still a long way to go," he said.
The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...
Japanese Art with a Canadian Touch
A British-born artist from Canada is holding an exhibition of his 60 works of ukiyoe woodblock prints, part of his 10-year project to carve and print the Hyakunin Isshu poem collection. (1998)
'Youngest' Ukiyo-e Craftsman
Ukiyoe, the Japanese art form most familiar to foreigners, was not always highly appreciated. In its earlier days during the Edo period, ukiyoe prints were used to wrap fish, similar to how people use newspaper comics to wrap garbage. Though its reputation gradually improved, mainly due to its popularity with Westerners, it may be to no avail. Ukiyoe and the traditional woodblock printmaking craft is dying in Japan. With less than 40 members in the crafts guild, all of them over 60 years old, and no apprentices, this art form is close to extinction. (1992)
Craftsman Carves Poetry in Wood
"I am not an artist," says woodblock carver David
Bull. The 40-year-old Canadian distinguishes himself clearly from the
creative talents who produce the original drawings for woodblock
prints. "I am a craftsman." he says. Born in England and raised in Canada, Bull was
originally trained as a classical flutist, and for some time pursued
a career in music, which ranged from making classical guitars to
conducting youth orchestras to playing bass in a rock band. (1992)