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Woodblock News
Introduction | Index All the print news that fits!

'Dare-demo Picasso'

(2004) I had been sending my promotional material to the producers of the program 'Dare-demo Picasso' (Anybody can be a Picasso!) for many years, but they had never 'nibbled'. Finally, in the summer of 2004, they called me up to discuss an appearance. Turned out to be nothing to do with my P/R activities - they were planning a story on foreigners working in 'disappearing' traditional fields. But of course I said 'yes' anyway, and appeared with three others on the program. (9 minutes ... about 15.5Mb)

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

Recapturing Edo Images

Squatting in front of a photocopy of an ukiyo-e print in the light from a 50-watt bulb, David Bull puts his carving knife carefully to a block of cherry wood. Under his blade, the image of an elaborately robed Heian minister slowly begins to emerge. "The hardest thing about making woodblock prints is the carving of intricate lines - you have to be able to use your knife like a brush in order to do justice to the fine lines," Bull says. (1989)
Full Story.

Traditional Craft, Crisis or ... ?

As a worker in the field of traditional Japanese crafts, one of the most common things I hear from visitors to my workshop is, "Isn't it a pity that wonderful crafts like this are dying out nowadays." We sometimes tend to view traditional crafts as being superior to modern ways of doing things, but I have to wonder about this. I am sure that the craftsmen of old did not view their work in special terms. I think that they were simply people 'doing a job'. (1994)
Full Story.

Craftsman Carves Poetry in Wood

"I am not an artist," says woodblock carver David Bull. The 40-year-old Canadian distinguishes himself clearly from the creative talents who produce the original drawings for woodblock prints. "I am a craftsman." he says. Born in England and raised in Canada, Bull was originally trained as a classical flutist, and for some time pursued a career in music, which ranged from making classical guitars to conducting youth orchestras to playing bass in a rock band. (1992)
Full Story.