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Artist Recreates Surimono Woodblock Masterpieces

Fascinated by the beauty of Edo-style woodblock prints, Canadian artist David Bull began carving and printing his own versions of traditional Japanese prints almost 30 years ago, just to please himself.

Now living in Japan, Bull is one of a small group of craftsmen working to reproduce Japan's popular ukiyo-e and other woodblock prints.

In 1998, the Canadian printmaker completed a set of reproductions of Katsukawa Shunsho's illustrations for the 'Hyakunin lsshu' (One Hundred Poets), which is a collection of 100 poems by different poets. It took him 10 years to complete that project.

Since then, Bull has been working to reproduce prints called surimono, forgotten woodblock masterpieces that were privately printed and received only a small circulation among the general public, unlike the more famous ukiyo-e prints.

Next week, about 20 of Bull's delicately carved surimono wood-block prints will go on display at his annual exhibition at Gallery Shinjuku Takano in Tokyo's Shinjuku Ward. This show, called 'Surimono Albums' is Bull's second showing of his surimono prints.

Dating from the 1760s to 1860s, typical surimono style blends an image and poetry in one print.

Using fairly simple and straightforward styles, surimono themes included historical events, scenes from kabuki dramas, still-lifes and seasonal landscapes in nature.

Bull uses the same traditional techniques that the original craftsmen used, and his show will feature fine carvings and prints, including reproductions of Toyota Hokkei's Spring Fuji, Kitao Shigemasa's Yoshiwara Courtesan, Isoda Koryusai's Peony and Sparrow, Katsushika Hokusai's Soshi the Philosopher, Ando Hiroshige's Evening Rain at Eitai Bridge, Yashima Gakutei's Warrior and Tiger and many more.

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

David Bull, Woodblock Printmaker

When I arrive at David Bull's home in Ome in Tokyo's western suburb on a cold but sunny morning in late March, he is checking a huge delivery of kiri wood boxes from China. But this time he is not quite satisfied ... (2007)
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13 Another Lucky Number

David Bull is as insistent as he is stubborn. No sooner has he sat me down beside his workbench (the only warm room in the house), with younger daughter Fumi (16) creating a Web page on the computer on top of the "kotatsu," than he is demanding how much I know about "hanga" (woodblock prints). "Hanga were never made to be framed and hung on walls," he states. "Premodern Japan had no such tradition. Prints were objects, not images, to be looked at in natural light. The best way for the art of the craftsman to be appreciated is in your hands, at a window." (2002)
Full Story.

In the wake of Hokusai

From behind his shaggy beard, affable British-born Canadian woodblock printmaker David Bull ended our interview at his studio in western Tokyo with what sounded like a challenge ... (2008)
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