Artist Recreates Surimono Woodblock Masterpieces
Fascinated by the beauty of Edo-style woodblock prints, Canadian artist David Bull began carving and printing his own versions of traditional Japanese prints almost 30 years ago, just to please himself.
Now living in Japan, Bull is one of a small group of craftsmen working to reproduce Japan's popular ukiyo-e and other woodblock prints.
In 1998, the Canadian printmaker completed a set of reproductions of Katsukawa Shunsho's illustrations for the 'Hyakunin lsshu' (One Hundred Poets), which is a collection of 100 poems by different poets. It took him 10 years to complete that project.
Since then, Bull has been working to reproduce prints called surimono, forgotten woodblock masterpieces that were privately printed and received only a small circulation among the general public, unlike the more famous ukiyo-e prints.
Next week, about 20 of Bull's delicately carved surimono wood-block prints will go on display at his annual exhibition at Gallery Shinjuku Takano in Tokyo's Shinjuku Ward. This show, called 'Surimono Albums' is Bull's second showing of his surimono prints.
Dating from the 1760s to 1860s, typical surimono style blends an image and poetry in one print.
Using fairly simple and straightforward styles, surimono themes included historical events, scenes from kabuki dramas, still-lifes and seasonal landscapes in nature.
Bull uses the same traditional techniques that the original craftsmen used, and his show will feature fine carvings and prints, including reproductions of Toyota Hokkei's Spring Fuji, Kitao Shigemasa's Yoshiwara Courtesan, Isoda Koryusai's Peony and Sparrow, Katsushika Hokusai's Soshi the Philosopher, Ando Hiroshige's Evening Rain at Eitai Bridge, Yashima Gakutei's Warrior and Tiger and many more.
The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...
The Blue-eyed Ukiyo-e Craftsman
Midnight is the best time.
The noise and confusion of the day's activities has died down, my two
young daughters are lost in their dreams, the roar of the traffic
passing on the road outside has dwindled away to an occasional
murmur, and my hand is now steady and ready for the challenge. The
easy parts are done, the kimono designs, the lettering, the outlines.
Tonight I will carve the face - slicing away the rock-hard cherry
wood sliver by sliver, and watching as the delicate features of a
10th century court lady gradually take shape in the wood. (1992)
Carving a Career From an Ancient Japanese Craft
David Bull, a 41-year-old Canadian university
dropout born in England who used to program computers and play the
flute on the street, anticipates one day finding himself revered as a
master practicioner of an ancient Japanese craft. But it took him 35
years to hit upon that uncommon ambition. (1993)
World of Japanese Craftsmen: Printmaker David Bull
"Have you ever seen a woodblock print?" asked printmaker David Bull, with a twinkle in his eye. Up until that point, I thought had seen a fair few. He then turned off the light overhead and steered me toward the sunlight streaming through the window, putting one of his latest prints in my hands. Sure enough, what had seemed a lovely design under the harsh fluorescent lighting took on a new depth in the soft glow of the winter sunshine. The colors were richer, the fuzziness and subtle grain of the handmade paper was readily apparent and the impression left by the wood-blocks used to print the design could be seen to full advantage. (2001)