--- Go to the Opening Page of this web site ---

Woodblock News
Introduction | Index All the print news that fits!

Japan This Week

(1999) Here is something for those of you who can't understand Japanese! NHK has an overseas broadcasting arm, and they featured my work in a segment on their Japan This Week program. It was broadcast with both Japanese and English soundtracks, but the copy I had available has them blended together! Can you mentally pick out the English only as you watch? (7 minutes ... about 12.7Mb)

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

Artist Recreates Surimono Woodblock Masterpieces

Fascinated by the beauty of Edo-style woodblock prints, Canadian artist David Bull began carving and printing his own versions of traditional Japanese prints almost 30 years ago, just to please himself. Now living in Japan, Bull is one of a small group of craftsmen working to reproduce Japan's popular ukiyo-e and other woodblock prints. (2001)
Full Story.

A Traditional Woodblock Printer

Surrounded by carving tools, brushes and bowls of pigment, he spends hours absorbed in the exacting work that has become both a passion and a ten-year project. A Canadian who moved to Tokyo in 1986, David Bull has made an extensive effort to learn and practice woodblock printmaking as it was mastered in Edo-era Japan. He is currently producing a series of woodblock prints using designs by the famous Ukiyo-e artist Katsukawa Shunsho. The theme is the 100 poets of old Japan (Hyakunin Isshu) and in four years he has completed 40 of them. He expects to finish the collection in 1998. (1992)
Full Story.

13 Another Lucky Number

David Bull is as insistent as he is stubborn. No sooner has he sat me down beside his workbench (the only warm room in the house), with younger daughter Fumi (16) creating a Web page on the computer on top of the "kotatsu," than he is demanding how much I know about "hanga" (woodblock prints). "Hanga were never made to be framed and hung on walls," he states. "Premodern Japan had no such tradition. Prints were objects, not images, to be looked at in natural light. The best way for the art of the craftsman to be appreciated is in your hands, at a window." (2002)
Full Story.