(1997) The media here in Japan really loves to highlight foreigners who study intensely some aspect of Japanese culture. This NHK program: Hello Nippon, is typical of that type. It also features a segment where I visit one of the traditional printers to talk about my work and get a bit of advice ... (20 minutes ... about 28.8Mb)
The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...
The Blue-eyed Ukiyo-e Craftsman
Midnight is the best time.
The noise and confusion of the day's activities has died down, my two
young daughters are lost in their dreams, the roar of the traffic
passing on the road outside has dwindled away to an occasional
murmur, and my hand is now steady and ready for the challenge. The
easy parts are done, the kimono designs, the lettering, the outlines.
Tonight I will carve the face - slicing away the rock-hard cherry
wood sliver by sliver, and watching as the delicate features of a
10th century court lady gradually take shape in the wood. (1992)
David Bull: Woodblock Print Artist
"Japan is such a fascinating country! Individual energy is balanced, so that individuals and society operate in step with each other. I'm not going home to Canada. I'm grateful if I can carve woodbIocks, and I'm delighted to see my skills improve - nothing gives me greater pleasure!" The enthusiasm shown by David Bull (47), an English-born Canadian, is enough to make any Japanese happy. (1999)
13 Another Lucky Number
David Bull is as insistent as he is stubborn. No sooner has he sat me down beside his workbench (the only warm room in the house), with younger daughter Fumi (16) creating a Web page on the computer on top of the "kotatsu," than he is demanding how much I know about "hanga" (woodblock prints). "Hanga were never made to be framed and hung on walls," he states. "Premodern Japan had no such tradition. Prints were objects, not images, to be looked at in natural light. The best way for the art of the craftsman to be appreciated is in your hands, at a window." (2002)