Introduction | Index All the print news that fits!

NHK News

(1989) This was my first appearance on TV here in Japan, back in December of 1989. NHK's news editors seemed to think that after I had finished the first 8 of the 100 prints in the Hyakunin Isshu series, this was 'newsworthy' enough to include in the Evening News one day! (3 minutes ... about 3.8Mb)

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

Shokunin vs Craftsman

During the seven years that I have been living here in Japan and studying woodblock printmaking, I have visited many shokunin and have enjoyed long discusions with them about their life and work. I have been surprised by many of the things they have said, and have come to realize that their thinking is sometimes quite different from my Western conceptions of a craftsman. (1993)
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David Bull: Woodblock Print Artist

"Japan is such a fascinating country! Individual energy is balanced, so that individuals and society operate in step with each other. I'm not going home to Canada. I'm grateful if I can carve woodbIocks, and I'm delighted to see my skills improve - nothing gives me greater pleasure!" The enthusiasm shown by David Bull (47), an English-born Canadian, is enough to make any Japanese happy. (1999)
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World of Japanese Craftsmen: Printmaker David Bull

"Have you ever seen a woodblock print?" asked printmaker David Bull, with a twinkle in his eye. Up until that point, I thought had seen a fair few. He then turned off the light overhead and steered me toward the sunlight streaming through the window, putting one of his latest prints in my hands. Sure enough, what had seemed a lovely design under the harsh fluorescent lighting took on a new depth in the soft glow of the winter sunshine. The colors were richer, the fuzziness and subtle grain of the handmade paper was readily apparent and the impression left by the wood-blocks used to print the design could be seen to full advantage. (2001)
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