--- Go to the Opening Page of this web site ---

Woodblock News
Introduction | Index All the print news that fits!

Dentoshi

Here is one of the longer programs; this one has a bit of everything - general interview scenes, visit to collectors, visit to a wood supply shop, and of course carving and printing shots.

This is the second segment (16 minutes ... about 27.5Mb). Part one is on this page (12 minutes ... about 21.5Mb)

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

David Bull: Printmaker

The classic woodblock prints made famous by Hokusai and others depict a stylized, long-lost Japan. A chance encounter with woodblock printing at an exhibition in Toronto more than twenty years ago led David Bull down a path that has made him the only artist, Japanese or foreign, working to reproduce those classical prints. (2000)
Full Story.

Enchanting Japan

Colourful woodblock prints - for people all over the world, to hear this phrase is to think of Japan. Japan has a long history of woodblock printing, or hanga, originally for illustrations for books. By the late seventeenth century, hanga in the ukiyo-e style came into its own as an art form, and prints came to be appreciated on their own merits. The many woodblock prints that accurately depict life in the Edo period are excellent examples of this tradition. Whether a print of a geisha, a kabuki actor strutting on stage, or even a completely modern image, the woodblock printing technique seems to provide the perfect means of expression to capture the essence of things Japanese. (1998)
Full Story.

World of Japanese Craftsmen: Printmaker David Bull

"Have you ever seen a woodblock print?" asked printmaker David Bull, with a twinkle in his eye. Up until that point, I thought had seen a fair few. He then turned off the light overhead and steered me toward the sunlight streaming through the window, putting one of his latest prints in my hands. Sure enough, what had seemed a lovely design under the harsh fluorescent lighting took on a new depth in the soft glow of the winter sunshine. The colors were richer, the fuzziness and subtle grain of the handmade paper was readily apparent and the impression left by the wood-blocks used to print the design could be seen to full advantage. (2001)
Full Story.