--- Go to the Opening Page of this web site ---

Woodblock News
Introduction | Index All the print news that fits!

Canadian artist wins top prize of 1,000,000 yen in Essay Contest

David Bull, a citizen of Canada and Britain, received 1,000,000 yen, the top award, for his winning essay in the fourth annual "Save the Earth" contest on Saturday at the Yomiuri Shimbun headquarters in Tokyo.

In his essay, "The Neighbourhood We All Share," Bull stressed the importance of broadening the public's environmental awareness from the local neighbourhood level to a global scale. The 43-year-old woodblock artist lives in Hamura Tokyo.

Bull's essay won the Environment Agency Director General's Prize. The contest was sponsored by The Yomiuri Shimbun.

... expanded story and winning essay ...

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

Shokunin vs Craftsman

During the seven years that I have been living here in Japan and studying woodblock printmaking, I have visited many shokunin and have enjoyed long discusions with them about their life and work. I have been surprised by many of the things they have said, and have come to realize that their thinking is sometimes quite different from my Western conceptions of a craftsman. (1993)
Full Story.

A Traditional Woodblock Printer

Surrounded by carving tools, brushes and bowls of pigment, he spends hours absorbed in the exacting work that has become both a passion and a ten-year project. A Canadian who moved to Tokyo in 1986, David Bull has made an extensive effort to learn and practice woodblock printmaking as it was mastered in Edo-era Japan. He is currently producing a series of woodblock prints using designs by the famous Ukiyo-e artist Katsukawa Shunsho. The theme is the 100 poets of old Japan (Hyakunin Isshu) and in four years he has completed 40 of them. He expects to finish the collection in 1998. (1992)
Full Story.

Traditional Craft, Crisis or ... ?

As a worker in the field of traditional Japanese crafts, one of the most common things I hear from visitors to my workshop is, "Isn't it a pity that wonderful crafts like this are dying out nowadays." We sometimes tend to view traditional crafts as being superior to modern ways of doing things, but I have to wonder about this. I am sure that the craftsmen of old did not view their work in special terms. I think that they were simply people 'doing a job'. (1994)
Full Story.