Canadian artist wins top prize of 1,000,000 yen in Essay Contest
David Bull, a citizen of Canada and Britain, received 1,000,000 yen, the top award, for his winning essay in the fourth annual "Save the Earth" contest on Saturday at the Yomiuri Shimbun headquarters in Tokyo.
In his essay, "The Neighbourhood We All Share," Bull stressed the importance of broadening the public's environmental awareness from the local neighbourhood level to a global scale. The 43-year-old woodblock artist lives in Hamura Tokyo.
Bull's essay won the Environment Agency Director General's Prize. The contest was sponsored by The Yomiuri Shimbun.
TV Listings
The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ... 
Craftsman Carves Poetry in Wood
"I am not an artist," says woodblock carver David
Bull. The 40-year-old Canadian distinguishes himself clearly from the
creative talents who produce the original drawings for woodblock
prints. "I am a craftsman." he says. Born in England and raised in Canada, Bull was
originally trained as a classical flutist, and for some time pursued
a career in music, which ranged from making classical guitars to
conducting youth orchestras to playing bass in a rock band. (1992)
Full Story.
Woodblock Prints in a Different Light
"Let me ask you a silly question: Have you ever seen a woodblock print before?" ukiyo-e printmaker David Bull asked me. "Of course you have. But do you know how to look at a woodblock print?" He held a postcard-sized print under the fluorescent light in his cluttered kitchen. "Is that a woodblock print, or is it printed by a machine, or is it a photograph? (1999)
Full Story.
The Blue-eyed Ukiyo-e Craftsman
Midnight is the best time.
The noise and confusion of the day's activities has died down, my two
young daughters are lost in their dreams, the roar of the traffic
passing on the road outside has dwindled away to an occasional
murmur, and my hand is now steady and ready for the challenge. The
easy parts are done, the kimono designs, the lettering, the outlines.
Tonight I will carve the face - slicing away the rock-hard cherry
wood sliver by sliver, and watching as the delicate features of a
10th century court lady gradually take shape in the wood. (1992)
Full Story.
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