That influence is well-known and documented, but for the most part, the effects were on the content of the art produced. There were though, a few artists influenced also by the Japanese techniques, and Chadel was one of these. The colours on this print of his were water-based pigments applied to the wood with a brush, in contrast to the oil-based inks used for most western wood-block work. I have no idea how he learned the methods of doing this; perhaps he had some contact with the group of English printmakers who were learning from the Japanese expatriate Yoshijiro Urushibara at about this time, or perhaps he was a private experimenter, studying and learning from the Japanese prints that were flooding Europe just then.

It is a fact of quite some sadness for me that these experiments by European artists did not result in the water-based printmaking technology becoming firmly established in the west. The English did more with it than others, but they too gave it up in favour of the oil-based methods.

I myself believe that one of the main reasons for this is that until one has accumulated a lot of experience, it can be difficult to produce consistent results - large batches of identical prints - with the Japanese technique, something fairly straightforward when using oil-based inks and a press.

Looking at the bright side though, I guess this is one of the main reasons why I don't have much 'competition'!

David
Monday, August 1, 2005

(Here's the print in context in the Treasure Chest series.)