Introduction | Index All the print news that fits!

'Anata no Tokyo'

(1992) I was selected to appear on the Anata no Tokyo (Your Tokyo) program, which features people doing interesting things in this 'community', giving a pretty good survey of my activities. It features clips of my carving and printing work, along with a visit to Matsuzaki-san the printer, and a few shots of our family life at that time ... (around 14 minutes ... about 25Mb)

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

Traditional Craft, Crisis or ... ?

As a worker in the field of traditional Japanese crafts, one of the most common things I hear from visitors to my workshop is, "Isn't it a pity that wonderful crafts like this are dying out nowadays." We sometimes tend to view traditional crafts as being superior to modern ways of doing things, but I have to wonder about this. I am sure that the craftsmen of old did not view their work in special terms. I think that they were simply people 'doing a job'. (1994)
Full Story.

Craftsman Carves Poetry in Wood

"I am not an artist," says woodblock carver David Bull. The 40-year-old Canadian distinguishes himself clearly from the creative talents who produce the original drawings for woodblock prints. "I am a craftsman." he says. Born in England and raised in Canada, Bull was originally trained as a classical flutist, and for some time pursued a career in music, which ranged from making classical guitars to conducting youth orchestras to playing bass in a rock band. (1992)
Full Story.

World of Japanese Craftsmen: Printmaker David Bull

"Have you ever seen a woodblock print?" asked printmaker David Bull, with a twinkle in his eye. Up until that point, I thought had seen a fair few. He then turned off the light overhead and steered me toward the sunlight streaming through the window, putting one of his latest prints in my hands. Sure enough, what had seemed a lovely design under the harsh fluorescent lighting took on a new depth in the soft glow of the winter sunshine. The colors were richer, the fuzziness and subtle grain of the handmade paper was readily apparent and the impression left by the wood-blocks used to print the design could be seen to full advantage. (2001)
Full Story.