Introduction | Index All the print news that fits!

'Anata no Tokyo'

(1992) I was selected to appear on the Anata no Tokyo (Your Tokyo) program, which features people doing interesting things in this 'community', giving a pretty good survey of my activities. It features clips of my carving and printing work, along with a visit to Matsuzaki-san the printer, and a few shots of our family life at that time ... (around 14 minutes ... about 25Mb)

TV Listings

The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...

Artist Recreates Surimono Woodblock Masterpieces

Fascinated by the beauty of Edo-style woodblock prints, Canadian artist David Bull began carving and printing his own versions of traditional Japanese prints almost 30 years ago, just to please himself. Now living in Japan, Bull is one of a small group of craftsmen working to reproduce Japan's popular ukiyo-e and other woodblock prints. (2001)
Full Story.

Woodblock Man Carves Niche

Woodblock carver David Bull refuses to be called an 'artist' or 'sensei'. "I'm just the guy who carves a piece of wood," Bull said. "All I do is copy what the real artists did." Since 1989, the Canadian university dropout who once played the flute on the streets of London has spent many hours bent over his woodblocks, nose and beard almost touching the surface, as he carved toward a self-appointed goal: the recreation of 18th century ukiyo-e artist Katsukawa Shunsho's 'Hyakunin Isshu: Poems from One Hundred Poets' series. (1999)
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13 Another Lucky Number

David Bull is as insistent as he is stubborn. No sooner has he sat me down beside his workbench (the only warm room in the house), with younger daughter Fumi (16) creating a Web page on the computer on top of the "kotatsu," than he is demanding how much I know about "hanga" (woodblock prints). "Hanga were never made to be framed and hung on walls," he states. "Premodern Japan had no such tradition. Prints were objects, not images, to be looked at in natural light. The best way for the art of the craftsman to be appreciated is in your hands, at a window." (2002)
Full Story.