A few press clippings ...
For my first exhibition in January of 1990, a local newspaper gave me a small feature story on their front page. I of course clipped it out, and pinned it up on the wall in one corner of the exhibition space. By the following year, there had been a couple more stories, and the year after, a few more ... I kept clipping them out, and started pasting them onto a roll of paper which I displayed at each exhibition.
The short movie you see here was taken while we were setting up for the 15th exhibition in January of 2004 ... I was just kind of curious how long the roll had become!
The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...
Colourful woodblock prints - for people all over the world, to hear this phrase is to think of Japan. Japan has a long history of woodblock printing, or hanga, originally for illustrations for books. By the late seventeenth century, hanga in the ukiyo-e style came into its own as an art form, and prints came to be appreciated on their own merits. The many woodblock prints that accurately depict life in the Edo period are excellent examples of this tradition. Whether a print of a geisha, a kabuki actor strutting on stage, or even a completely modern image, the woodblock printing technique seems to provide the perfect means of expression to capture the essence of things Japanese. (1998)
Artist Recreates Surimono Woodblock Masterpieces
Fascinated by the beauty of Edo-style woodblock prints, Canadian artist David Bull began carving and printing his own versions of traditional Japanese prints almost 30 years ago, just to please himself. Now living in Japan, Bull is one of a small group of craftsmen working to reproduce Japan's popular ukiyo-e and other woodblock prints. (2001)
Traditional Craft, Crisis or ... ?
As a worker in the field of traditional Japanese crafts, one of the most common things I hear from visitors to my workshop is, "Isn't it a pity that wonderful crafts like this are dying out nowadays." We sometimes tend to view traditional crafts as being superior to modern ways of doing things, but I have to wonder about this. I am sure that the craftsmen of old did not view their work in special terms. I think that they were simply people 'doing a job'. (1994)