'Japanophiles'
(2010) NHK again! Their overseas arm - NHK World - asked me to appear in a pilot program for a new series they were planning, to be called Japanophiles. (No bonus points for guessing what the series was going to be about!) Host Peter Barakan and I spent a very enjoyable time in their studio putting it all together, and the result turned out to be one of the best overviews of my work made to date. And it's entirely in English ...
(After watching the program, if you would like to post some feedback with your comments, you may do so on this page of the Woodblock RoundTable.)
TV Listings
The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ... 
Woodblock craftsman combines old, new
Day after day, David Bull sits in his workroom almost all day long using his energy to make hanga or woodblock prints. His workroom, housed in his four-story house standing on the side of a riverbank in Ome, Tokyo, has yet to be completed because he is building the room himself by taking time from his busy production schedule. (2004)
Full Story.
The Blue-eyed Ukiyo-e Craftsman
Midnight is the best time.
The noise and confusion of the day's activities has died down, my two
young daughters are lost in their dreams, the roar of the traffic
passing on the road outside has dwindled away to an occasional
murmur, and my hand is now steady and ready for the challenge. The
easy parts are done, the kimono designs, the lettering, the outlines.
Tonight I will carve the face - slicing away the rock-hard cherry
wood sliver by sliver, and watching as the delicate features of a
10th century court lady gradually take shape in the wood. (1992)
Full Story.
World of Japanese Craftsmen: Printmaker David Bull
"Have you ever seen a woodblock print?" asked printmaker David Bull, with a twinkle in his eye. Up until that point, I thought had seen a fair few. He then turned off the light overhead and steered me toward the sunlight streaming through the window, putting one of his latest prints in my hands. Sure enough, what had seemed a lovely design under the harsh fluorescent lighting took on a new depth in the soft glow of the winter sunshine. The colors were richer, the fuzziness and subtle grain of the handmade paper was readily apparent and the impression left by the wood-blocks used to print the design could be seen to full advantage. (2001)
Full Story.
For comments/feedback/etc. on this newspaper, Contact David. 