(1994) Here's a ten-minute feature program, filmed during the days while I was preparing for the 'half-way' exhibition of the Hyakunin Isshu poetry series in January 1994. I was insanely busy just then, but they mostly didn't interfere with what I was doing, and just followed us around while we set up the show (I say 'us' because my parents came over for a visit just then). Includes a visit to Shimano-san the blockmaker, and a short sax 'concert' by my dad! (10 minutes ... about 17Mb)
The 'Woodblock Shimbun' has a full selection of TV programs on file. Videos available include some of David's news appearances, complete feature programs, and some short documentaries on his work. The files are in QuickTime format, and can be easily viewed with your browser.
Program listings are on the Index page ...
Traditional Craft, Crisis or ... ?
As a worker in the field of traditional Japanese crafts, one of the most common things I hear from visitors to my workshop is, "Isn't it a pity that wonderful crafts like this are dying out nowadays." We sometimes tend to view traditional crafts as being superior to modern ways of doing things, but I have to wonder about this. I am sure that the craftsmen of old did not view their work in special terms. I think that they were simply people 'doing a job'. (1994)
Shokunin vs Craftsman
During the seven years that I have been living here in Japan and studying woodblock printmaking, I have visited many shokunin and have enjoyed long discusions with them about their life and work. I have been surprised by many of the things they have said, and have come to realize that their thinking is sometimes quite different from my Western conceptions of a craftsman. (1993)
Woodblock Man Carves Niche
Woodblock carver David Bull refuses to be called an 'artist' or 'sensei'. "I'm just the guy who carves a piece of wood," Bull said. "All I do is copy what the real artists did." Since 1989, the Canadian university dropout who once played the flute on the streets of London has spent many hours bent over his woodblocks, nose and beard almost touching the surface, as he carved toward a self-appointed goal: the recreation of 18th century ukiyo-e artist Katsukawa Shunsho's 'Hyakunin Isshu: Poems from One Hundred Poets' series. (1999)