Table of Contents

There are two main types of entry here in the Woodblock RoundTable. The first type - found through the left-most tab below - are the short stories that I write to include with each of the woodblock prints that I send out. Although the prints can be appreciated on their own as simply beautiful 'objects', I think that having at least a short explanation of how/why they were made is much appreciated by the collectors.

The second and third tabs contain links to a number of short essays. Although woodblock printmaking takes most of my time, and provides most of my income, in recent years I have been spending an increasing amount of time at the keyboard of my word processor.

I originally started writing with the sole intent of producing those pieces for accompanying the prints - as well as stories for my newsletter (Hyakunin-Issho) - but after getting requests from one of Tokyo's English-language newspapers (The Mainichi Weekly) to contribute short essays, I was encouraged to write about a wider variety of subjects. One thing led to another, and I now find I have quite a shelf full ... In addition to the Mainichi, I have had pieces published by The Japan Times, The Daily Yomiuri, and various magazines.

I'm not a very 'serious' essayist, and you won't find much deep social commentary or biting satire in any of these pieces. They are familiar in tone and quite light in weight. I don't really know if there is much interest in them, although the responses in the 'Letters from Readers' column in the Mainichi seems to indicate that there might be. Take a 'nibble' at a few of them at random. I would be interested in hearing your comments.

The right-most tab contains the 'Progress Reports' on the print currently under construction, as well as links to material that doesn't fit the other categories.

(If the tabbed interface below doesn't work in your browser, switch over to the standard version.)
Deep Winter

But once upon a time ... there existed a society which differed from our own in a quite interesting way - 'images' were not a part of the everyday surroundings of most people.

Shibaraku

One of the most dramatic moments in the entire kabuki repertoire; as the loud voice rings out from the hana-michi walkway in the middle of the auditorium, all eyes turn to see the actor who has just entered.

Sumo Wrestlers

I think I have done pretty well this year in bringing you works by designers of whom you are probably not familiar with, and this is yet another example.

Bonsai

... but so far, I haven't made use of any 'advertising' material in my hunt for interesting images - something that is rectified now, with the inclusion of this pretty little bonsai maple tree ...

Flower Basket

Now, most Japanese people do not realize this, but everybody in this country has been trained as an artist, in a process that started the day they first began to draw the simple kana characters.

Riding the Ox Home

I suppose this is an extreme simplification of a process which some people contemplate for almost their entire lives, but I see the earlier stages as being a struggle to 'find one's self', and the later stages as an attempt to then 'forget one's self'.

Autumn Moon

... what a wonderful sight the sky must have been before the days of tall buildings and electric lights ...

Bird and Bamboo

This print has its origins in a similar fashion to one of the earlier prints in this Treasure Chest series; both of them were created as copy models for aspiring brush painters.

Canadian Sunset

... the next morning I started work on this woodblock print.

Magpie and Insect

For the first (but not last) time in this set, we have a design by a non-Japanese artist.

Fudo Waterfall

With the rainy season over and hot summer now upon us, it's time to cool down ...

The Weaver

Our series reaches the half-way point with this beautiful and delicate image by Ogata Gekko.

Rainy Season

Here we are, breaking my rule about no 'duplications' in this series - a second design by Katsushika Hokusai!

Kabuki Actor

Time for some drama in the series! Things have been pretty quiet up to now, to say the least, so here's something to wake you up!

Girl on Bicycle

... the Meiji viewers' attention was drawn mainly to the exotic bicycle ...

Elephant Fable

So just how much detail can we cram into one of these little prints?

Swimming Carp

... publishers of woodblock prints have frequently played fast and loose with design attributions ...

Peony Pattern

And now - as they say - for something completely different!

Benzaiten

One of the real pleasures in my job is uncovering buried treasures ...

Tea Ceremony Supplies

... this print jumped up and down and shouted 'Choose me! Choose me!'

Ningyo-cho Doll Market

If I had to guess, I would say this is a Frenchman strolling around the streets of late-era Edo ...

Bush Warbler

... you don't have to be a tourist to enjoy its quiet beauty!

Spring Fuji

To open this special series of prints - the Hanga Treasure Chest - I have used a design dating from the 1820's, created by a relatively unknown print designer - Teisai Hokuba.

Horses in Snow

It has to come from both of us - you must demand the best work, and I will try to produce it.

Young Girl and Cherry Blossoms

... when carving a Sukenobu print, one becomes a Sukenobu.

Two Women Sewing

I hope you understand when I tell you that I worked very hard indeed to make those 'mistakes' just as they are!

Gathering Shellfish

... when they were opened, they were found to contain carved woodblocks from the Edo period.

Summer Bamboo

... as we walked around the rooms, I felt that we were likely to fall through the floor at any time, the structure seemed so fragile.

Room With a View

... and it must be perfect for every one of the printing impressions, 19 in all on this print ...

Red Dragonfly

I almost expected him to fly off the page, he looked so realistic!

Monkey and Crab

We take the hint, and fill in the rest mentally by ourselves.

Women in a Boat

I have learned that there is a very big difference between working on a reproduction of a print, and an adaptation.

Mandarin Ducks

The question of how many colours to use for any particular print is something that touches on two fields: art and economics.

Spring: Court Lady Writing Poetry

... a young lady who looked exactly as though she had been the model for any number of Utamaro print designs ...

Summer: Obvious Love

I still can't see 'Obvious Love' here, but I do know something beautiful when I see it!

Autumn: Scent of Chrysanthemums

The single biggest challenge I faced was the area at the side of her face where the hairs criss-cross each other repeatedly.

Winter ...

... beauty is not a monopoly of the young ...

Daruma

he sits up on his high shelf, and silently watches over me ...

Surimono

I found myself again and again coming back to the surimono genre ...

Fuji from Edo Castle

erase from your mind any thought that grey = sad and dreary

New Year Coin

... the coin traditionally given to small children as a new year present

Ono no Komachi

... created a design containing such small detail that I could barely see it!

Fuji at Dawn

This print collection takes off in a completely different direction now, with this 'impressionistic' rendering of Mount Fuji.

Port in Winter

... this same village was 'host' to a fleet of ships arriving from overseas ...

Old Game Card

This is a reproduction of one from a set of 72 game cards based on the '36 Famous Poets'

Karuta

I sketched a few of the cards as though they had been slapped into the air

 

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