Table of Contents

At present, there are three main types of entry here in the Woodblock RoundTable. The first type - found in the left-hand column below - are the short stories that I write to include with each of the woodblock prints that I send out. Although the prints can be appreciated on their own as simply beautiful 'objects', I think that having at least a short explanation of how/why they were made is much appreciated by the collectors.

The center column are links to posts describing the 'construction' process of the recent prints. They appear here in reverse chronological order, so to follow along as any particular print is made, you should perhaps skip down to where it begins. (Post titles should make the order clear to follow ...)

The third column contain links to a number of short essays. Although woodblock printmaking takes most of my time, and provides most of my income, in recent years I have been spending an increasing amount of time at the keyboard of my word processor.

I originally started writing with the sole intent of producing those pieces for accompanying the prints - as well as stories for my newsletter (Hyakunin-Issho) - but after getting requests from one of Tokyo's English-language newspapers (The Mainichi Weekly) to contribute short essays, I was encouraged to write about a wider variety of subjects. One thing led to another, and I now find I have quite a shelf full ... In addition to the Mainichi, I have had pieces published by The Japan Times, The Daily Yomiuri, and various magazines.

I'm not a very 'serious' essayist, and you won't find much deep social commentary or biting satire in any of these pieces. They are familiar in tone and quite light in weight. I don't really know if there is much interest in them, although the responses in the 'Letters from Readers' column in the Mainichi seems to indicate that there might be.

Take a 'nibble' at a few of them at random. I would be interested in hearing your comments.

Daruma

he sits up on his high shelf, and silently watches over me ...

Surimono

I found myself again and again coming back to the surimono genre ...

Fuji from Edo Castle

erase from your mind any thought that grey = sad and dreary

New Year Coin

... the coin traditionally given to small children as a new year present

Ono no Komachi

... created a design containing such small detail that I could barely see it!

Fuji at Dawn

This print collection takes off in a completely different direction now, with this 'impressionistic' rendering of Mount Fuji.

Port in Winter

... this same village was 'host' to a fleet of ships arriving from overseas ...

Old Game Card

This is a reproduction of one from a set of 72 game cards based on the '36 Famous Poets'

Karuta

I sketched a few of the cards as though they had been slapped into the air

Deep Winter

But once upon a time ... there existed a society which differed from our own in a quite interesting way - 'images' were not a part of the everyday surroundings of most people.

Shibaraku

One of the most dramatic moments in the entire kabuki repertoire; as the loud voice rings out from the hana-michi walkway in the middle of the auditorium, all eyes turn to see the actor who has just entered.

Sumo Wrestlers

I think I have done pretty well this year in bringing you works by designers of whom you are probably not familiar with, and this is yet another example.

Bonsai

... but so far, I haven't made use of any 'advertising' material in my hunt for interesting images - something that is rectified now, with the inclusion of this pretty little bonsai maple tree ...

Flower Basket

Now, most Japanese people do not realize this, but everybody in this country has been trained as an artist, in a process that started the day they first began to draw the simple kana characters.

Riding the Ox Home

I suppose this is an extreme simplification of a process which some people contemplate for almost their entire lives, but I see the earlier stages as being a struggle to 'find one's self', and the later stages as an attempt to then 'forget one's self'.

Autumn Moon

... what a wonderful sight the sky must have been before the days of tall buildings and electric lights ...

Bird and Bamboo

This print has its origins in a similar fashion to one of the earlier prints in this Treasure Chest series; both of them were created as copy models for aspiring brush painters.

Canadian Sunset

... the next morning I started work on this woodblock print.

Magpie and Insect

For the first (but not last) time in this set, we have a design by a non-Japanese artist.

Fudo Waterfall

With the rainy season over and hot summer now upon us, it's time to cool down ...

The Weaver

Our series reaches the half-way point with this beautiful and delicate image by Ogata Gekko.

Rainy Season

Here we are, breaking my rule about no 'duplications' in this series - a second design by Katsushika Hokusai!

Kabuki Actor

Time for some drama in the series! Things have been pretty quiet up to now, to say the least, so here's something to wake you up!

Girl on Bicycle

... the Meiji viewers' attention was drawn mainly to the exotic bicycle ...

Elephant Fable

So just how much detail can we cram into one of these little prints?

Swimming Carp

... publishers of woodblock prints have frequently played fast and loose with design attributions ...

Peony Pattern

And now - as they say - for something completely different!

Benzaiten

One of the real pleasures in my job is uncovering buried treasures ...

Tea Ceremony Supplies

... this print jumped up and down and shouted 'Choose me! Choose me!'

Ningyo-cho Doll Market

If I had to guess, I would say this is a Frenchman strolling around the streets of late-era Edo ...

Bush Warbler

... you don't have to be a tourist to enjoy its quiet beauty!

Spring Fuji

To open this special series of prints - the Hanga Treasure Chest - I have used a design dating from the 1820's, created by a relatively unknown print designer - Teisai Hokuba.

Spring: Court Lady Writing Poetry

... a young lady who looked exactly as though she had been the model for any number of Utamaro print designs ...

Summer: Obvious Love

I still can't see 'Obvious Love' here, but I do know something beautiful when I see it!

Autumn: Scent of Chrysanthemums

The single biggest challenge I faced was the area at the side of her face where the hairs criss-cross each other repeatedly.

Winter ...

... beauty is not a monopoly of the young ...

Horses in Snow

It has to come from both of us - you must demand the best work, and I will try to produce it.

Young Girl and Cherry Blossoms

... when carving a Sukenobu print, one becomes a Sukenobu.

Two Women Sewing

I hope you understand when I tell you that I worked very hard indeed to make those 'mistakes' just as they are!

Gathering Shellfish

... when they were opened, they were found to contain carved woodblocks from the Edo period.

Summer Bamboo

... as we walked around the rooms, I felt that we were likely to fall through the floor at any time, the structure seemed so fragile.

Room With a View

... and it must be perfect for every one of the printing impressions, 19 in all on this print ...

Red Dragonfly

I almost expected him to fly off the page, he looked so realistic!

Monkey and Crab

We take the hint, and fill in the rest mentally by ourselves.

Women in a Boat

I have learned that there is a very big difference between working on a reproduction of a print, and an adaptation.

Mandarin Ducks

The question of how many colours to use for any particular print is something that touches on two fields: art and economics.

Next print begins - Seacoast in Winter

Work on Chapter Nine - the Seacoast in Winter - begins ...

[River in Autumn - 10] First batch finished ...

A couple of weeks since the previous update ... that's how long it has taken to get the first batch (of 110 sheets) done.

[River in Autumn - 9] First few proofs ...

So, with a few days of proofing under my belt, perhaps it's time to show some of the results.

[River in Autumn - 8] Colour blocks finished

Two weeks ... start to finish ... and the colour block set is now done.

[River in Autumn - 7] Colour block progress ...

I worked out a way to get the separations combined onto 10 wood faces, so by using the back side of the keyblock, and four new pieces of wood, there will be five 'blocks' in told. Here are the completed five faces ...

[River in Autumn - 6] 'Colour your Own' versions ...

Contributions from viewers who have made their own trial images ...

[River in Autumn - 5] Here are the colour separations ...

So, it has taken a good three days of sitting at this computer screen, giving Photoshop a pretty good workout, but I think I have a good set of blocks for this print worked out.

[River in Autumn - 4] Explaining colour separations

An attempt to explain how the colour separation for this print are going to be created ...

[River in Autumn - 3] Key Block done

Well, I managed to get enough hours down at the bench the past two days to get the keyblock done.

[River in Autumn - 2] Work begins

I did come to a decision on which approach to take, put something together, and have now started carving.

[River in Autumn - 1] Design considerations

Anyway, six down, six to go - time to get started on the next one!

[Seacoast in Summer - 3] print stages 7-10

Impression #7 - Next level of tone ...

[Seacoast in Summer - 2] print stages 4-6

Impression #4 - Next level of tone ...

[Seacoast in Summer - 1] print stages 1-3

The process started with a selection of photographs I downloaded from the NASA website

Work on the next print begins Finally, after nearly two months since the previous posting, work on the next print - The Seacoast in Summer - has begun. What have I been doing during that time? Well, the edition for the Forest in Spring had to...
[Forest in Spring - 2] : Sample Images

Sample images of the Forest in Spring proofing ...

[Forest in Spring - 1] : carving progress

Here is a series of small snapshots of the block set as it currently stands, partway through the carving.

[River in Winter - 10] : Impressions 19 ~ 23

The last five impressions ...

[River in Winter - 9] : Impressions 14 ~ 18

The next five impressions ...

[River in Winter - 8] : Impressions 9 ~ 13

The next five impressions ...

[River in Winter - 7] : Impressions 4 ~ 8

The next five impressions ...

[River in Winter - 6] : Printing begins ...

Printing begins on the River in Winter print

[River in Winter - 5] : First public proof ...

First proof copy of the River in Winter print ...

[River in Winter - 4] : Flowing water blocks ...

And now, before I show you the next block, there is something else to show you ...

[River in Winter - 3] : Colour carving ... and karazuri

I've now got the blocks finished for the large rock in the bottom left corner, and for the foamy area at top left.

[River in Winter - 2] : Carving a rock!

Is this really a sensible way to use some of my precious time on this planet?

[River in Winter - 1] : Design for the next print ...

Time for work on the next chapter to get under way; this one will be the 'River in Winter'.

[Seacoast in Autumn - 11] : Final Printing - step 19 ~ 21

All done ... I think she looks fine!

[Seacoast in Autumn - 8] : Printing - step 10 ~ 12

Today another three impressions ... getting to be quite the routine!

[Seacoast in Autumn - 7] : Printing - step 7 ~ 9

Three more impressions to upload today ...

[Seacoast in Autumn - 6] : Printing - step 4 ~ 6

Three more impressions to upload today ...

[Seacoast in Autumn - 5] : Printing begins ... step by step

So here we go ... we start right off with the keyblock:

[Seacoast in Autumn - 4] : Carving Progress ...

Here are a few of the blocks done so far:

[Seacoast in Autumn - 3] : Carving under way ...

I've had a couple of peaceful days of carving on the keyblock

[Seacoast in Autumn - 2] : The design ... (and Colour Your Own)

the view from the top of the cliff is the design I will use ...

[Seacoast in Autumn - 1] : Snapshots ...

A few snapshots of 'my' little cove ...

[Forest in Autumn - 13] : 'Top-up' impressions

OK, it's been a few days ... and I think she is now done.

[Forest in Autumn - 12] : Pause for Thought ...

Time for a break in the printing ...

[Forest in Autumn - 11] : Impressions 16 ~ 18

Impressions sixteen through eighteen ...

[Forest in Autumn - 10] : Impressions 13 ~ 15

Impressions thirteen through fifteen ...

[Forest in Autumn - 9] : Impressions 10 ~ 12

Impressions ten through twelve ...

[Forest in Autumn - 8] : Impressions 8 ~ 9

Here are the next two impressions ... slowly moving along ...

[Forest in Autumn - 7] : Impressions 5 ~ 7

The next three impressions ...

[Forest in Autumn - 6] : Impressions 2 ~ 4

Impressions three through five ...

[Forest in Autumn - 5] : Impression 1

So printing is under way; here is the first impression - the delicate moonlight

[Forest in Autumn - 4] : Colour Your Own!

Colour your own version of the 'Forest in Autumn' print!

[Forest in Autumn - 3] : Colour Separations

I'm really not sure just how much detail of the process I should be showing for each of these prints. There are going to be 12 in the set, but surely, watchers are not particularly interested in seeing every stage of every print?

[Forest in Autumn - 2] : first steps

Unlike the previous print, which was structured around an actual view of the river, this one is not a 'real' scene, but one 'assembled' from pieces ... the tent, some trees, and some bushes.

[Forest in Autumn - 1] : the concept

Here we go again! Just as I did a couple of months ago with the River in Summer print, I am going to show many details of the production process for the next one in the series: the Forest in Autumn.

[River in Summer] - Edition Wrapup

Last night saw the completion of the printing on the second batch; the edition is now complete, and the blocks will be set aside to dry. Just when they might ever be used again is completely unknown, but they will be wrapped up and carefully stored away.

[River in Summer] - Block scans now online

Had a bit of 'extra' time this evening while waiting for the paper for the second printing batch reach the proper moisture level, so I spend some time with the scanner, and made a set of images of the entire block set for this print.

[River in Summer] - Amendments ...

OK, time for a couple of experiments this evening, picking up ideas from some of the suggestions made on the 'Post Mortem' post.

[River in Summer] - Post Mortem ...

OK, it's been a day since I finished up the printing work; time to stand back a bit, take a look at it, and see how it turned out.

[River in Summer - 22] - Impressions 28~31

Final series of impressions ...

[River in Summer - 21] - Impressions 24~27

Another four colours today ... wondering if I might be able to finish tomorrow ...

[River in Summer - 20] - Impressions 20~23

Here are the next four impressions (another good printing day!) ...

[River in Summer - 19] - Impressions 17~19

Three impressions today ...

[River in Summer - 18] - Impressions 13~16

Here are the next four impressions (another good printing day!) ...

[River in Summer - 17] - Impressions 11~12

Finally, we get something on this print other than grey or black!

[River in Summer - 16] - Impressions 7~10

Here are the next three impressions ...

[River in Summer - 15] - Impressions 4~6

Here are the next three impressions ...

[River in Summer - 14] - Impressions 1~3

Once the print is finished, I will be making a page with all the step-by-step images placed in sequence, but for now, let's show them here on the RoundTable ...

[River in Summer - 13] - Printing ... Scene of the crime!

Let's have a look at the printing bench - where all the action will be taking place for the next couple of weeks.

[River in Summer - 12] - Printing to begin!

Printing starts in the morning.

[River in Summer - 11] - Texturing colour blocks

When printing begins, some of the impressions will be printed from textured blocks like this ...

[River in Summer - 10] - Lots of colour blocks!

Here are a couple of snapshots of the growing stack of colour blocks.

[River in Summer - 9] - Colour block oiling ...

A set of photos showing the pasting/preparation of a kyogo ...

[River in Summer - 8] - First colour blocks ready

Had a clear run at it this afternoon, so here is the first finished colour block ...

[River in Summer - 7] - Colour separations

With the keyblock now finished, work on making the colour separations can begin.

[River in Summer - 6] - Key block finished

Keyblock is finished ... and waiting for the transfer printing to colour blocks to begin ...

[River in Summer - 5] - Key block nearly done

Had a good clear run at it today, and got all the main carving on the key block done.

[River in Summer - 4] - Checking the carving

Here's where I got to, the day after getting back from the trip to the woods ...

[River in Summer - 3] - Carving continues

If I had a couple of clear days, I could finish it off, but I've got to 'down tools' now, and switch over to another waiting job.

[River in Summer - 2] - Carving continues

After another day's work, it's come this far ...

[River in Summer - 1] - Carving begins

Here are the first images of the carving process.

[River in Summer] - How the print is made

Over the next six weeks or so, I am going to show the complete process of how one of my woodblock prints is made.

My Solitudes project ... off and running!

After a month or so of preparation, today saw the first work actually involving wood!

Sing for your Supper

I stuffed coins into every pocket I could find in my trousers and jacket, front back and inside, and then started home, jingling at every step.

Walls Within Walls

... a limb of an old and gnarled tree stretched out, and some of the gates and doors stood ajar, allowing glimpses of silent gardens ...

What's in a Name?

I simply took a pencil and went through the list marking those items that sounded to me like they would be a good name for a young girl.

On the Shelf

... these books that had enough of an impact on me to prompt me to keep them after reading, instead of turning them in at the second-hand bookshop, as I have done with so many others.

Side by Side

It's just simply pleasure to be together with an interesting, intelligent and attractive woman.

Yes or No?

End of conversation. Suzuki-san then quietly dies of thirst waiting for the offer to be repeated.

Exotic Shinjuku

I still haven't been able to get over the feeling that I am living somewhere 'special', somewhere very, very special.

Troublemakers

... they must have had some kind of bad experience in a similar situation at a previous time, and had thus been 'trained' to expect trouble from foreigners.

Romeo! Romeo!

No sooner is that last line written ("I want only to be with you!") and our name appended, than the desire to have the letter safely delivered to her waiting hands starts to mount. (For she is waiting, of course!)

Partners

... when I first heard about their collaborative relationship, I could barely believe my ears.

Level Playing Fields

... 'game over'. I had completely failed at whatever it was the program was expecting me to do.

Left ... Right ... Left ... Right ...

Whether I had turned left or turned right that day nine years ago, I would probably still be in pretty much the same position now.

Book a Train Trip

... as one learns characters and words, one by one they become visible, until finally the complete picture stands clear.

Becoming a User

The music I've been writing with the assistance of my new computer certainly isn't going to climb very high in the 'charts' ...

Golden Boys

... diving head first out the door at 10,000 feet for a free-fall lasting nearly a minute, swooping and sliding around the sky, and then opening the wing-shaped chute and flying it home to the target spot.

So Who Cares?

... how much they need editing; how clumsy many of the sentences are, and how poor I am at expressing ideas clearly.

Heigh Ho, Heigh Ho!

... a system of schools, factories and offices that, although based on sound principles of division of labour and organizing production, had grown into a huge monster ...

The Green, Green Plastic of Home

There are great opportunities for personal expression in this slipper-donning ritual, and the performance can actually reach virtuosic heights.

Carrots, Again?

... hiding peas one by one atop the wooden support bars under the table top.

In the Park ...

That's me lying in there, just a few days old, and sleeping peacefully while my mother gets me out of the house for some fresh air.

In the Red

I do not find the concept of 'self-sacrifice' a particularly noble idea.

All Together Now!

... during the conversation you find yourself in the ridiculous situation of bowing to somebody you can't even see!

Ooohh, That Smell!

... coming home from school, I would open the house door and know instantly what was waiting in the kitchen.

How to Lose Friends and Influence People

I had been emulating Mr. Mitty during my carving hours somewhat more than I'd care to admit.

On the Hot Seat

If I have on something with no buttons down the front, they know that it must be Wednesday ... archery lesson day!

Head vs Hands

How do I make a living? Of course, with my hands ...

Cultivating a Satisfying Life

When we get to the end of the line, and look back, will it be the 'free and easy' times that we recall ...

No Place Like Home

Do two kids who sleep side by side, study side by side, play side by side, and bathe side by side, have a different relationship than two who have private rooms for these functions?

When, oh When?

I write these thoughts now, because as I finished the latest print just last night, I was especially struck with how 'clumsy' it seems.

Fill in the Blank

Although it would symbolize full entry into this society, real practical acceptance could only come from one's actions: from living among Japanese people in a Japanese way ...

Just Like You, Just Like Me ...

... this 'selective blindness' of travellers created the general image that foreign lands were indeed all strange places ...

The Autumn Leaves

He was simply walking back and forth among the tree branches overhanging the building, carrying a small, flat basket ...

Faster! Faster!

... it just became too much, and she caved in and started crying.

Get a Life

"Wanted. Woodblock carver and printer to work in a 200-year old style, recreating a series of Edo-era prints ..."

Different Kind of Homeless

Not if I live to be a hundred years old will I ever be able to afford to buy a piece of land here adequate for building a comfortable house.

An Unusual Guest

Oversize pointed ears, tiny beady eyes, and a mouth bristling with needle-like fangs, none of them longer than a millimeter, but appearing huge in her tiny visage ...

Bulls-Eye!

... slowly raised my bow, had tried to think of nothing, and had let the arrow fly, unconcerned about where it would strike.

A Re-Cycle Adventure!

And there on the back of his truck, was a brand new mountain bike. A 21-geared, super-lightweight, mountain bike.

Possessive Possessions

Each item a simple accessory for living, but taken all together ... what a monstrous pile they make!

Music Lessons

... the stuff just seemed to come welling up from inside him, to spill over and flood the room with melody. Every note the guy played was musical.

The Grass is Greener

Japan could retaliate, spraying grass killer over parks overseas ...

Trivial Pursuit

... far more than those more overt propagandists, it is actually the 'familiar' essayists who are the most effective at philosophical guidance.

Fading Flower

Her voice was soft, but she spoke with confidence, her clothes were quietly elegant. This Fading Flower moved about with grace.

The Great Escape

I have made myself a 'collection' of these private places, to which I escape any time that I feel the need.

Fire and Water

It seemed as though we were rather sitting in front of a fireplace ... glowing, mysterious flickering motion in a darkened room ...

A Man of No Taste

I believe I heard the word 'vinegar' muttered under his breath ...

Grey Skies

... some of them joke about the length of the rainy season in that country ... 12 months!

Golden Age

In her eyes, Japan is currently in a kind of golden age, just as England was about forty years ago ...

At Last!

I finally, finally had the experience that I have been waiting for ever since first setting foot in this country back in 1981.

'Insular' Attitudes

I'm indoors, in a modern Japanese home ... and it's freezing in here!

Hand-Picked Convenience

He wore heavy work gloves, reached out to each branch of the tree, and quickly stripped it of all the leaves.

Three out of Four Isn't Bad!

Visitors to our home watch wide-eyed. "Wonderful!" they inevitably say.

Take a Deep Breath!

I was magically transported from dirty, dusty Tokyo, to a place far away in the clean countryside.

Out of Step

How is it that our traditional calendar seasons so poorly match the reality around us?

Stars in my Eyes!

Stars! Up until that moment, I hadn't known what the word meant.

When the Shopping Gets Tough

No sooner do I step through the door into the shop, whether small local one or large department store, than I can feel the sweating start.

A Teenage Pleasure Remembered

There are two ways to enjoy stamps; collecting and accumulating.

Living Fossils

... still living mostly on pizza and beer, like in the old days ...

My Friend the Ambassador

...does know that anybody willing to get down on the floor and wrestle with him like Terry does is going to be his true friend for life.

'Childish' Children

... surrounded by models, robots, and books on dinosaurs. Now there's a kid I could talk to!

Every Man for Himself!

... men arguing with women for the last seats on a bus.

Do You Know Granola?

No sooner have you begun when somebody comes and stands behind you, waiting for his turn!

Autumn Friends

... people seem to become quite nostalgic when they first hear them each fall.

A Well-Trained Country

"Your train for Shinjuku has arrived, sir", intones my imaginary servant.

Grand-dad's Homecoming

Grey dust and white, charred bone fragments - all tumbled out together ...

Seeing is Believing

The tension has evaporated, and the statue slowly comes back to life.

Traditional Craft, Crisis or ... ?

... they simply got up each morning, had their breakfast, and started work, just like we do today.

Introduction

I have never really liked the traditional idea of being forced to bring back an o-miyage, a souvenir, for every single person in the community back home ...

'Capers'

... the contrast between their display of rather scrawny (and very expensive) vegetables and the mounds of fat, juicy and very healthy-looking ones here couldn't be stronger.

Balancing Act

A few seconds later, I stood back in amazement and stared. There was my rock, balanced 'upside-down' on a small point.

Trains of Two Cities

Passengers are even sometimes seen jumping over the entrance barriers, in order to enter without paying.

Snapshots ...

... even though I thus have no actual photographs to show you, I do have a collection of remembered 'images' ...

Where to Tonight?

They find a cheap hole in the wall space on a back street somewhere, clean it up, put in a few tables and chairs, scribble a menu on the wall, and go to it.

Lunch in a Time Slip!

... a horseshoe-shaped counter with red-topped stools arrayed around it, along one wall a half dozen booths, and up on one wall a menu board made of some kind of grooved black material in which white letters were arranged to spell out the 'Daily Specials'.

Don't Bug Me!

... once when I found a short snake in temporary residence in there, I withdrew quietly ...

Under Construction

What more satisfying and interesting work could there possibly be for a man?

Wooden School

... everything has a deep sheen like an old-master violin.

Getting Better

... grabbed some large plastic bags, came back to the river, and started filling them up with trash.

Is God Green?

... boils aloft from a gigantic tangle of earth, stones, and writhing roots ...

Radio Exercises

Not only was the playing field itself totally covered with the swaying figures, but the stands as well.

Evening River

They will find no poetic frustration in this scene, for they will need to use no words ...

Rice Dreams

How do you think I'd look with mud between my toes?

Big Feet, Light Steps

"Let's go home. Nothing left in this river, anyway ..."

 

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